I never feel that I appreciate the importance of sound in film, it becomes apparent to me in the final stages of my editing that sound really is 50% of film. However, as the amount of sound decreases the importance of everything else increases, making films like Fritz Lang's Metropolis all the more incredible to watch knowing the dificulty of directing a silent film that is 3 minutes long let alone a feature.
I sorely underestimated the importance of sound in a project and in the future pledge to pay far more attention to everything surrounding mise-en-scene as well as sound, diegetic or not.
I also will actively seek out silent films new and old of all genres, in order to gain a more holistic approach to film and (attempt to) watch them with an analytical eye.
